about so-called “Heidegger’s” “Silence”

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What do you read in a text's silence?

“For a sound silence” is indirectly about Heidegger scholars who read in bad faith (but what-the-hell: it advances their careers).

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the cohering grows

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”Thinking of Heidegger teaching: prefacing a riverrun,” provides a sense of interpretive practice which, for the first time, connects my slumbering Heidegger Studies project with the larger-scale work of The Project. I'm very happy with this improvisation.

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moving on

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“At last,...”; yet, it’s nothing like a major goal. It’s a milestone, which is
a waystation on a path.

Having known the distant peak for years—though expecting it to be transformed by upcoming ventures of bibliophilia—I gained
an entranceway that’s also prospective of aspiration.

inner appeal, outer appeal.. writing life

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My winter cycle of “The Project currently” is done, and the gedavis.com website links primarily to new material.

At last, I have an introductory coherence of The Project that I’ve sought for over a year. And at last, I have the linkage between the two websites that I intended over a year ago.

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a muse englanding

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Joni Mitchell, 1970.

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speculative pleasure

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“So, Gary, what’s it all really about?”

I’m glad you asked.

But expect that a penultimate foray deserves to presume its terms
(no links to earlier discussions).

It is what it is.
(Can’t go wrong there.)

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discursive moments

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“Discursive moments” is done (for this winter—come spring).
The subtitle probably seems precious: “…: mind evolving.”
Think of ‘moments’ as “importances” and ‘mind’ as verbal “care.”

Play is the thing of course

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I’ve divided the very conceptual “philological play” Area of The Project into a 4-section first part, “Play is the thing of course: from ‘-ology’ to philogeny,” which prefaces the 4-section main part of “philological play.”

Altogether, it’s happily quite long—major work (for me).

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“genius”

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It’s a good-spirited (eudaimonic) mystery.

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for a good story of a “worthwhile” life

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Generalities, generalities… That can be good, if the terms are durable, for a life that’s always growing up, achieving lots, paying forward, moving on.

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“The” past is never finally written

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“The” past is made to serve future-oriented living. The past didn’t create the world. One’s always rewriting one’s past.

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turn of the year and a plight of inspired writing

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The short story is that I have a lot of new material online (links upcoming). The long story is that writing process can get as tedious as this posting.

Late December, I began a set of short paragraphs to provide a good sense of what each Area of Cycle 4 of The Project is to be about. I suceeded, but “short” (e.g., “wholly flourshing”) led to much longer, preface after preface (e.g., “creative conceptuality”). This began to cause feeling need to do postings later this month that would preface what I wanted to presume for my Area prefaces now, but hadn’t introduced. So, that caused me to more or less stop earlier than I’d intended, until I get the postings done.

saturdaynote

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Conceptual work is going well, but I don’t have anything to say about it now.

I streamed “Things To Come” (“L’avenir,” 2016), starring Isabelle Huppert. I’d seen it in a theater when it first came to town, but I needed it again. And I got infatuated with its everydayness (so French, you know—having the legacy of Cinéma vérité).

So affirming is Nathalie’s authenticity amid so much pretentiousness around her—going with the flow amid personal chaos, having serenity about endings, beginnings, loss, and renewal—being her ownmost unchained melody of life.

a conception of The Project

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a postcard on conceptual mountaineering.

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soliloquy to J. D. Salinger

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Related notes from recent years that became outtakes while doing
the Web set, “love of being better” (introduced below, Web link
at the end there), were sequenced into a singular thing.

The set, from 2015—2018, makes a confessional prelude to “…being better,” which is a preface to upcoming stuff.

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love of better being

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Keywords of our lives may be so overwrought, they mean little anymore—or merely serve specific contexts, having that—but no more singular integrity than scale and horizon of a life has singular definability.

The poets who keep it simple implicitly appeal to us to feel truly
each point that’s here.

saturdaynotes, 9/29—12/8

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I’ve begun actually writing the new cycle of web work for cohering.net. But I’m in the middle of merely-prefacial narrative that I don’t want to upload until I write myself out of that, by the middle of next week, I expect (as I am actively progressing, section by section, day by day).

extraterrestrial love in hiding

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I’ve posted lots of astrobiological reveries recently, via my Disqus account (only during the past month), which show at the Daily Galaxy articles that I’m commenting on. I want to transfer those as independent postings at the blog where I posted a long reverie today.

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“I am my art,” where doing art is necessary to being

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Last night, I was spellbound by the new American Masters documentary on Eva Hesse. I stared at the screen for the entire 1.5 hours as if I was meeting the sister I wasn’t told I had. Her joy, fearlessness, devotion to living her artistry, and obsession with the uncanniness, the ephemerality of being, was awing.

saturdaynotes, 9/29—12/8

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I’m too occupied to do an update beyond the August 4 g.com update. Sorry.

But that update links to a new posting on Habermas.

In the future, I’m going to note all new cohering.net-related material at Twitter, as well as here. That includes blog postings elsewhere that I also indicate here. Separately, I’m going to note all new gedavis.com-related material at my other Twitter account.

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