On the one hand, I want to give in to creative writing, my specific humanity
(so to speak): novel “molecular texting.”
On the other hand, I want writing to be relative to vital contemporary issues, our general humanity (so to speak): novel “gardening better humanity”.
Yet, writing to public issues is an externalist kind of molecular texting. Writing with personal license is an internalist kind of bettering humanity (my own, though).
Be it creative play or appealing to general urgency, expressing specific or addressing general humanity, appealing futures draw both.