“...but for the artist’s creative concept...”

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Part of my earlier-said, but vaguely referenced, writerly itinerary of vignetted vining is, I confess, to be “severely” affectionate dwelling in the tropography of conceptual art. So, it’s worth noting that the history of said “art” continues, as the market loves itself so much.

But the real matter here, according to the philosopher of art writing the NY Times article (linked above), is the evolutionary appeal of the idea
(as such, unto itself), as well as appeal of the idea of art.

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etymophilia

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I created that word just now.

Etymology is about tracing a history. An etymon is an original form within the story—an apparently original form, for who knows?
The historiography is all a matter of traces left in extant texts. How much of one’s life now gets into written word? How must it have been
when literacy was slight. Origins are some diffuse ether of lost time.